Category: Travel

BLUE ON BLEAU

Posted by – March 25, 2014

Morris Lapidus, architect of the Fontainebleau Hotel, the legendary icon located in the heart of Miami’s Millionaire’s Row, once famously quipped, “If you create a stage and it is grand, everyone will play their part.”

Play their parts they did. From the famous to the infamous — James Bond in Goldfinger, Sinatra in A Hole in the Head, The Sopranos, Elvis, Regis & Kelly — all were “in the house.” The Fontainebleau also had the dubious distinction of playing host to the infamous Black Tuna Gang and their burgeoning marijuana trade in the late 70’s.

I had the opportunity to shoot The Bleau Bar for a company that wanted to reflect the grander of the property in order to highlight it as a reward destination for its top performers. The photo was shot in a “camera raw” format that allows for maximum flexibility in post production and minimizes the need for auxiliary lighting.

By the way, the cast of characters in this particular venue at this particular time included Edras Elba (aka Stringer Bell, The Wire), Olympic record-holder, Michael Phelps, and myself.

TRINITY

Posted by – August 9, 2012

Among the things I love about my career in photography are the many places it’s taken me, like to the northern New Mexico desert, a land where the light is so magical it inspired the likes of Ansel Adams, and every local license plate proclaims, “Land of Enchantment.”

I was there taking this picture of international interns at the Los Alamos National Laboratory, 50 years to the day that the first nuclear weapon, nicknamed “The Gadget,” was detonated at nearby Trinity in the Jornada del Muerto desert, Spanish for “journey of death.”

Standing at the obelisk that commemorates the event — 50 years to the minute since July 16, 1945 — was spooky and sobering.  Believe me, the desert landscape set the scene for some deep reflection.

The Los Alamos National Laboratory facility was first created to house the Manhattan Project, code name for the project to weaponize the newly discovered theory known as “the nature of atoms.”  Upon witnessing the successful detonation of the device, the onsite head of the project, Robert Oppenheimer, quoted Bhagavad Gita, exclaiming: “I am  become Death, the destroyer of worlds.”

But I think the potential consequences of that day were best summed up by Albert Einstein when he said, “I know not with what weapons WW III will be fought, but WW IV will be fought with sticks and stones.”

THE HOUSE ALWAYS WINS

Posted by – November 21, 2011

Danny Oceans would feel right at home under the ceiling of the Bellagio Hotel on the Vegas Strip, the subject of this image, inadvertently shot as a jpeg, with very little post-exposure tweaking.

“The house always wins,” Danny would say in the casino-caper film, Ocean’s Eleven.  Danny (first played by Frank Sinatra, then by George Clooney in a more-recent remake) insisted the only way to beat the house was to cheat the house, or more to the point, to steal from it.  And who could argue with Danny in a city of sin built by the Mafia and paid for by gambling?

Along with its legendary fountain, the Bellagio ceiling has served as a backdrop for numerous feature films looking for iconic Vegas opulence.  It’s famous for being adorned with intensely colored blown glass created by the renowned artist, Dale Chihuly, and valued at over $2 million.  Chihuly is a Fulbright Scholar and RISD graduate who honed his craft in Venice and has since become a wildly successful entrepreneur.  Those of you from the St. Louis area may remember the recent exhibit of his work at the Missouri Botanical Gardens or the instillation in the atrium of the St. Louis Art Museum.  One thing you can bet on: you can’t afford art like this by playing a losing hand, but the house can afford it, because “the house always wins.”

LET THERE BE LIGHT

Posted by – October 14, 2011

This “portrait of light” was taken at of the Saint Louis Central Library.  It was originally shot on large-format transparency film and received no digital embellishment.  The enchanting “play of light” occurred naturally and was particularly enhanced by sunlight reflecting from a church across the street.

The Central Library was built around 1912 and is an excellent example of the stalwart work of renowned architect, Case Gilbert, who also designed the Art Museum and other installations for the 1904 World’s Fair.  Gilbert’s Central Library is one of hundreds funded by Andrew Carnegie, renowned philanthropist and funder of over 70% of the library communities throughout America.

As you may know, Carnegie was an entrepreneur who made his fortune in the steel industry.  Ironically, particularly with respect to this photograph, Carnegie inscribed the motto “Let There Be Light” on the first library he ever built, in his hometown of Dunfemline, Scotland.  Although Carnegie’s libraries were constructed in a variety of styles, they all had two unifying characteristics: a staircase symbolizing the elevation one gains through learning and a lamppost conveying enlightenment.

OLD DOME, NEW TRICK

Posted by – September 13, 2011

The ceiling of the rotunda of the Old Courthouse in St. Louis has hovered over events that shaped history since the Italian-Renaissance dome (modeled after St. Peter’s Basilica in the Vatican) was renovated in 1864.

It was in this very building in 1846 that the slave, Dred Scott, sued for his and his wife’s freedom on the grounds that they had previously lived in free states.  Ultimately, the U.S. Supreme Court decided the case in 1857 and ruled against Scott.  The decision polarized the nation and moved history one step closer to the first shots of the American Civil War.

I photographed the rotunda’s ceiling using a relatively new digital technique called High Dynamic Range (HDR) that combines a range of exposures of identically framed images (think Ansel Adams, only in color), so the resulting composite image more accurately represents all the tonal ranges the human eye can see at one time.  The technique is especially useful for photographing high-contrast, static subjects such as architectural interiors.

The Old Courthouse was standing long before digital manipulation even became possible and will endure way beyond the latest cover of Communication Arts.

YOU’LL LOVE THE VIEW FROM HERE

Posted by – August 1, 2011

Motor from Miami down “Avenue A1A,” gateway to the Florida Keys, home to the famous and infamous, pirates and poets, and discover the beautiful bracelet of keys Ponce de Leon first stumbled upon, still dangling in the ocean, barely 90 miles from Cuba.

Proceed with due trepidation through Key Largo and continue south across Seven Mile Bridge (guess how long it is).  Take your time; soak in the scenery, but don’t dawdle too long; you’re traveling the haunts of such nefarious characters as Edward G. Robinson, Bogie and Bacall.  If you should see a bale of ganja washed up on the beach, don’t be tempted.  The original owner, his AK-47 and his twin pit bulls might not be far behind.  The Keys are always a series of contradictions.

Your destination is the same as it once was for literary giants like Ernest Hemingway and Tennessee Williams — Key West, where drinking is compulsory, fighting and running-with-the-bulls-type acts of bravado are optional and “chilling out” is de rigueur.

When you finally run out of land, stand on the dock at Mallory Square at day’s end, wander among its daily cadre of performing characters such as jugglers, mimes, musicians and fire-eaters.  Reverently observe the sunset celebration as the ocean slowly swallows Ol’ Sol.  Catcalls, wolf whistles and thunderous applause are all proper sunset decorum in the Conch Republic.

Now stroll down DuVal Street in the cooling twilight to Sloppy Joe’s, Margaritaville, or about a hundred other bars and restaurants and enjoy a well-deserved beverage with your new best friends.  Say hi to Captain Tony.  You may even qualify as an honorary Parrot Head.  And when you finally have to leave, don’t worry; they’ll keep the fun going until you return.


A CAPITAL LOSS

Posted by – July 5, 2011

I grew up in Kentucky, just across the Ohio River from Shawneetown, Illinois.  At the time, the legal drinking age in Illinois was 18, but the local watering holes had a very liberal interpretation of that statute.  We misspent more than a few nights of our youth there, contributing to the local economy at places like Hog Daddy’s Saloon, which at that time were about all the remaining commerce the dying town had.

Among our many misconceptions was that Shawneetown was the first sate capital.  Actually, it was home to the first bank charted in Illinois.  In addition to other dubious distinctions from its municipal past, the town had refused to buy the first bonds issued by the City of Chicago, stating, “No city located that far from a navigable river could survive.”  This picture is actually of the town’s second bank, considered to be a fine example of Greek revival architecture.

At one time, this US Government center for the Northwest Territory was an integral link to the new frontier.  Lewis and Clark may (or may not) have slept here.  It was one of only two towns chartered by the Federal Government, the other being Washington, D.C.

Today, the river that was once the town’s ally has become the town’s enemy.  The series of locks, dams, levees and floodwalls that made our rivers commercially viable have made small towns like Shawneetown susceptible to flooding.  Think Cairo, IL.  Many have simply closed their City Halls and called it quits.

When I went back to shoot this photo, I discovered that even Hog Daddy’s Saloon had closed.  These are hard times for small towns.


REST IN PEACE (AND IN PLACE)

Posted by – June 9, 2011

Beneath the streets of Paris lies an expansive network of catacombs riddling the dark netherworld throughout the vestiges of what originally were the city’s stone quarries.  I first learned of this vast underground ossuary while I was shooting on location in Paris for a medical-company client, and just had to see it for myself.

With a little “finagling” by a local supplier, I got special permission to visit this vast denizen-of-the-dead — population, about six million.  This multitude of deceased humanity was reinterred there in the interest of public health after being mass-exhumed from the city’s overflowing, perpetually re-used public cemeteries.  This change of address was prompted by the city’s expansion beyond the former edges of town where commoners traditionally were buried.  (Location, location, location.)  Later, the bones were more reverently arranged and the tunnels more-adorned as befitting a sepulcher.


DOO-DA, DOO-DA

Posted by – April 27, 2011

It was the first Saturday in May, 1973, and the sun was shining brightly when Secretariat made his glorious, record-breaking run for the roses. He broke last, made his move in the backstretch, then ran every successive quarter faster than the previous one. He was still “moving up” when he streaked across the wire, winning by 2 1/2 lengths.

Secretariat became the first Triple Crown Winner in 25 years, setting new race records in two of the three events in the series – the Kentucky Derby and the Belmont Stakes, records that still stand today. What an athlete!

On that great day in May I had unfettered access to not only Secretariat, but to Jimmy Stuart and, oh yeah The Queen of England, thanks to a press pass from the State of Kentucky (my summer employer) and my Hilton Hotel windbreaker that just happened to match the windbreakers worn by the CBS TV Crew.

It was a nice gig for a little ol’ country-boy who had just come to the big city and was trying to get by. Looking back 38 years, Pilgrim and The Great Horse are gone, but Her Royal Highness and I are still in the race.

DON’T FENCE ME IN

Posted by – February 8, 2011

Cole Porter’s nostalgic lament refers to a bygone era: the time before the widespread use of barbed wire. Prior to that, the open range was the unrestricted province of the cowboy. Livestock competed freely for resources, and cattle drives crossed vast expanses uninhibited.

This advancement in technology dramatically changed the face of the Great Plains forever. Land that once was available to all was sectioned off, sparking fierce range wars. public land was overgrazed, and Native Americans were disenfranchised by “the devil’s rope.”

This photo (entirely executed ”in camera,” for you techno geeks) symbolizes the dichotomy of consequences often resulting from such ”progress.”